Tuesday, December 25, 2012

The Strange Case of Self Competition


Most days I am Jekyll, sweet of character and kind to all,
But there is a Hyde waging war inside,
An inner temper and fight that seethes within,
like itchy lava pushing at the pores of my skin.
A restlessness that won't right until I fight,
But Jekyll shrinks to hurt a living soul,
So Hyde wages self-war in forms of self control,
Because the lava inside cools when sweat chills my brow,
Pound the lava through shoes on a street,
Dribble the lava into a ball on a court,
Ink the lava onto a page with a pen,
Grind the lava through pedals on a bike,
Punch the lava through mitts on a bag,
Slice the lava through laps in the water,
Sing the lava through keys on a piano,
Until Hyde slumbers inside his cooled skin,
And Jekyll comes to smile at everyone again,

Thursday, August 16, 2012

Why am I the Lucky One?


(I made the mistake of going to bed whining about things that in perspective were really dumb and trivial. And this was my dream.)

Why am I the Lucky One?


I dreamed I walked a road with another girl. She wore black. I wore green.
We talked and laughed until our road forked.
I got into my car and drove 12 hours to college,
She was shoved into a train and driven 96 hours to a camp,
I fumed and fussed at bad drivers and broken traffic lights,
She was licking her cracked lips and holding a broken arm, 
I told my Dad I was too tired to stay up and tell him about my trip,
She was told she would never see her Dad again.
I awoke the next morning to grumpily snooze a loud alarm,
She was woken by a rifle shot and an angry curse,
I opened my cupboard and couldn’t decide between cereals,
She was marched down a line to get a boiled turnip,
I worried about an unwritten essay and 70 pages of reading,
She was given a shovel to dig graves,
I complained about my boss and a few extra hours to work,  
She was afraid to slow down or her boss would shoot her brother,
At the day’s end,
I went home, wondering if my roommate's boyfriend would be over again,
She was marched to her bed, wondering if her roommate was alive,
I wondered why the radio station wouldn’t play anything good,
She was wishing she could hear music again,
I worry about impressing my date this weekend,
She was wishing the boy she liked were alive, 
I wished I weren’t out of eggs to make what I wanted,
She was handed one choice of old bread,
I forced my tired eyes to go read scriptures with a full light,
She was straining in the dark to read the one page of print she owned,
I went to bed with a roommate to wish good dreams,
She was holding a child coughing blood and praying he wouldn’t wake,
The next morning,
I put on my warm coat and grumbled about slogging in snow to school,
She was clutching at her thin shirt and watched her breath freeze,
I felt beaten by my professors’ criticism,
She was beaten to blood by her guards,
I closed my eyes and wished I weren’t at school,
She closed her eyes and wished she were in heaven.
I got into my shower and felt warm water, 
She was put into a shower and felt warm gas.
I left my shower.
She was carried from hers.
Two girls, one in black, one in green.
Both born with hopes and dreams.  
Both born under stars, hers a yellow pinned to her chest, mine on a flag, 
I am not any better than her - why am I the lucky one? 

Wednesday, August 1, 2012

The Potato Peeler


(Angela, this is for you. Some day I might finish it, but I wrote this much to make you feel better about peeling a ton of peaches.)

The Potato Peeler

I peel potatoes. Lots of potatoes. Why? Because I have a lot of brothers. Too many to count. Mom says there are seven, but I guess about a hundred. And they eat a lot of potatoes. I peel piles and piles and piles and piles and piles of potatoes. It gets pretty boring. But they keep eating piles and piles and piles and piles of potatoes. I don’t understand why that doesn’t get boring. But they never seem tired of it.

I get tired of peeling potatoes, so I don’t see how this is fair.

I like playing with potato peels though – drawing and arranging them into patterns and stories. No one ever wants the peels, just the potatoes. But I do. I have a big pile of potatoe peels in the backyard inside the hollow maple tree. I’m a very little girl, so I curl up just inside it really nice, although I always rip my dress on a root that sticks out by the door. Mom is really tired of sewing it shut, so she makes me do it now.

Inside I have lots and lots of kinds of potato peels. Some are squares and some are circles. Some are spirals and some are short pieces. When I peel potatos, I try to make a game and see how long I can make a peel. Once I even got the whole potato in one peel.

I also made a peel once that looks very like the head of my brother Frederick. I don’t have that one anymore though, because I showed it to Frederick and told him, and he got mad because he said his nose isn’t that big. So he ripped it up. Which made me mad, because it was a really cool peel.

One day, I am going to be famous, because I am going to take all my potato peel art and show it to everyone. And they won’t laugh at me.

Inside my tree hollow, I line everything up on the shelves. One by one I line them up, by kind and by size. When I want to make something, I draw a circle on the floor and build a world. It works well. There are some peels that make good people. And some peels that just make good walls or houses. I make the worlds I read about. They have princes and princesses and knights and horses and lots and lots of pretty things and no one eats any potatoes. I think it sounds like a really good place to be.

Sometimes my stories get really, really good, and I pick the pieces up really carefully and glue them onto paper from my notebook. I even painted some. And I put them in a pile in the corner in a plastic. There isn’ really a good way to hang them from a dirt wall in a tree. Besides, sometimes it gets muddy when it rains and then the paper crumbles up and makes a mess.

I don’t tell my brothers about the potato peel tree, because I don’t want them to laugh at me or rip it up. And they would probably do both.

Every day all my brothers leave with my Dad and are gone for hours. They come back pretty dirty, and they say I’m lucky to stay with Mom all day. I don’t really think so, because when I’m not peeling potatoes I’m usually washing the clothes they keep getting dirty every day. I told Mom there was no point in washing them when they come back just as dirty, but she said that wasn’t the point. I don’t know what the point is then.

Mom is short, thin, and gets mad pretty easy. Her right eye twitches a lot, and she says it’s a nervous habit. I asked why and she told me to stop asking questions. I don’t know why she is always nervous or what a habit is.

Once a week when Dad and the boys come home they bring a couple more big bags of potatoes. They bring other stuff to sometimes, but mostly I just remember the big bags of potatoes. I wish they would go away and never come back. I hate potatoes.


Tuesday, July 31, 2012

The Girl in the Yellow Dress, or the Ragamuffin Dreamer


(Angela, I'll keep this one going if you want, call me so we can talk about it, but this would be one where the girl would die in the end from a school shooting. I like the girl, but I have several different other pages of notes that take her and the story all over the place. Thoughts?)

The Girl in the Yellow Dress, or the Ragamuffin Dreamer

Have you ever woken up from a really weird dream and not known where you were? With funny sweat beads making your sheets feel gross and eyes that can’t see in the dark? And a strange sense of not knowing where you are? That’s kind of how it felt to walk into the Stravinsky household—constant chaos and confusion from lots of children and animals running around.

Serena Stravinsky was a short girl with big glasses, freckles, pointy ears, and crooked teeth that made it so she couldn’t bite down on an apple. She had a drawer full of what her mother called respectable clothing, but almost always wore her yellow dress with grass stains in the back. Her mother called it a rag, but she called it a play dress, and although she would change obediently when they drove to the library or the store, she was always back inside the dress when she got home.

She was the one kid who didn’t make a lot of sense to most of the other kids. Which didn’t bother Serena, but which worried her mother when her mother had time to worry.

“What do you want to be when you grow up?” the teacher wrote on the board. All the kids raised their hands and talked about being doctors or construction managers or dancers or presidents of big companies.

“I’m going to be so rich that I don’t have to ever go into work unless I want to.”
“I’m going to be the world’s greatest dancer.”

Serena listened as the names went around the room, unsure why those sounded like fun.

“And you Serena? What will you be when you grow up?”

Serena hesitated, “I don’t know. But I want to reach the highest branch on my tree at home.”

“That’s very nice Serena, but I mean what do you want to do for a profession?”

Serena knew the teacher wouldn’t like the answer, because her mom didn’t ever either. “I want to find colorful rocks.”

The room bust into laughter until it withered under the teacher’s glare. “Oh a geologist! That’s wonderful!.”

Serena had no idea what she was talking about, but it seemed like a good answer so she nodded. “Yeah, one of those.” The teacher went on to Peter, to Serena’s relief.

“Psst, stupid, that’s a really dumb idea. Who wants to look for rocks?” 

Monday, April 2, 2012

Sweating out Serenity


(Angela - This is the poetry that somehow won the BYU portfolio contest. I think it must have been subject originality, because I don't see as it's that good otherwise, but I had a lot of fun writing it.)

Sweating Out Serenity
Birthing Muscle
The sweat drips.                 
The muscles shake.
The arms quiver.
The stomach aches.
The nausea sours the throat.
The body holds the plank.
It’s not the first 2 minutes that muscle make;
It’s the 30 seconds past fatigue.
The sweat drips,
The time ticks,
I hold the plank.
I hear sweet words, “Time’s up!”
I fall.
I gasp from torn lungs,
I tremble with blood racing through my heart,
A new muscle is born.
                                   

Marathon Dialogue
Mile 1 - I believe in winning,
even when my gear is wrong -
Mile 2 - I believe in winning,
even when the finish is far off-
Mile 3 - I believe in winning,
even when some are passing me by -
Mile  4- I believe in winning,
even when it’s arctic, early, and dark-
Mile 5 - I believe in winning,
even when I’m hungry.
Mile 6 - I believe in winning,
even when my shoelace snap-
Mile 7 - I believe in winning,
                  Even when the hill never ends-
Mile 8 - I believe in winning,
                  Even when I’m falling far behind-
Mile 9 - I believe in winning,
                  Even when my tongue turns to sandpaper-
Mile 10 - I believe in winning,
                  Even when I'm hungry.       
Mile 11 – I believe in winning,
                  Even when my ipod dies-
Mile 12 – I believe in winning,
                  Even when I’m not yet half done -
Mile 13 – I believe in winning,
                  Even when so many run ahead-
Mile 14 – I believe in winning,
                                    Even when pit stops are all out of fruit -
Mile 15 – I believe in winning,
                  Even when I’m hungry.
Mile 16 – I believe in winning,
                  Even when shoes blister fire-
Mile 17 – I believe in winning,
                  Even when many miles are left-
Mile 18 – I believe in winning,
                  Even when fast runners have finished-
Mile 19 – I believe in winning,
Even when the sunshine leeches my sweat-
Mile 20 – I believe in winning,
                  Even when I’m hungry.
Mile 21 – I believe in winning,
                  Even when water runs out-
Mile 22 – I believe in winning,
                  Even when I want to give up-
Mile 23 – I believe in winning,
                  Even when everyone else has won-
Mile 24 – I believe in winning,
                  Even when sudden concrete peels my knees-
Mile 25 – I believe in winning,
                  Even when I’m very hungry.
Mile 26 – I believe in winning,
                  Even if I finish last-
Mile 26.2 – I believe in winning,
                  Because I never quit.
                                   

Calm with courage, to court disasters.

Sweat weaves courage from my muscles.
Fear sizzles out under the water of courage

Earky, dark, freezing
One Runner's Catharsis, or How to Clean a Heart

You run and you run. Until you can run no more.
Toenails blacken; muscles turn sore.
Lungs claw for air, heart hammering skin.
Your feet talk out the pain, until your voice is freed. 

Then you fall to your knees.

You pray and you pray. Until you can pray no more.  
Throat dries; voice turns hoarse. 
Mind pleads for release; heart yearning peace.
Your voice rambles out the pain, until your words are freed.

Then you fall to a journal.

You write and you write. Until you can write no more.
Fingers cramp; pages turn black.
Words pour into order, heart beginning release.
Your ink squeezes out the pain, until your tears are freed.

Then you fall to the floor.

You cry and you cry. Until you can cry no more.
Eyes swell shut; teardrops pour.
Body, spirit, thoughts, emotions run clear—
Peace floods your heart, until your self is freed.
                 
                  Then you stand.

Your heart beats normal. Your heart beats sure.
You brace your heart and walk on, cleansed, ready for more.










Calm with courage, to court disasters.

Sweat weaves courage from my muscles.
Fear sizzles out under the water of courage


When is it Good Enough?
                 

Juxtapositions Rainstorms Bring to Mind
Torrents of water, pounding into the earth,
Torrents of messages, pounding in my ears,
Torrents of thoughts, pounding  around my mind,
Torrents of music, pounding through my fingers,
Torrents of blood, pounding up my veins,
Torrents of feet, pounding out a dance, 
Torrents of hands, pounding with a rhythm,
Torrents of pain, pounding down my tear ducts,
Torrents of joy, pounding amidst my heart,
Torrents of words, pounding past my pen,
Torrents of peace, pounding all to stillness,
Torrents of love, pounded by nails to a cross,
Torrents of energy, pounding and shaping us into who we should be.





"Courage is the art of being the only one who knows you're scared to death."

Friday, December 16, 2011

Margaret Cavendish: Writing a Female Mode of Rhetoric in Blazing World

I realize this blog has been dormant for months. This is not precisely because I haven't been writing (because I still keep 3 journals going pretty strong), but mostly because most of my other writing seems more fitting to be kept in other places. I haven't written straight-up stories in awhile. I did write the proudest seminar paper in my life, and am going to prove my nerdiness by including it in this collection. The fact that it's the last seminar paper I will ever write sort of saddens me.  




Margaret Cavendish: Writing a Female Mode of Rhetoric in Blazing World
If the world of rhetoric wasn’t complicated enough in the seventeenth century, Margaret Cavendish’s own position as an uneducated woman attempting to enter in conversation with intellectual males in the seventeenth century added complexity to her rhetorical situation—a complexity seamed through her writing that leaves rhetoricians a knotty puzzle to tease apart in determining which rhetorical methods Cavendish advocated, what she actually used, and why.
Since its codification under Aristotle, rhetoric has alternated between the darling and the demon of the intellectual society—at times embraced as the key to unlocking truth through logic, at others rejected as the primary barrier to truth and honest communication. During the time of Cavendish, rhetoric was going through another “demon cycle”, where many seriously debated its place in communication. Religion, government, and science were all going through a “plain style” revolution, and many writers labeled rhetoric as a purveyor of deceit, rather than knowledge. Rhetoric has always struggled in definition, out of its sheer complexity, so a brief definition for this paper is helpful. Rhetoric is the art of persuasion, but subdivides into the art of 1) creating arguments, 2) arranging arguments, and 3) delivering arguments. During the epistemologists in the seventeenth century, rhetoric increasingly came to refer to simply the “delivery” of arguments, and not a tool for finding truth (Robbins-Tiscione 45-50). Hence, when Cavendish used the vocabulary term “rhetoric,” she likely was referring to its stylistic function, and not its use for logical reasoning.
Most scholars studying Cavendish’s rhetorical style have focused on her rhetorical methods of “delivery,” or her stylistic choice. Scholarship has tackled the perplexing question of how Cavendish viewed rhetoric, whether she agreed or disagreed with her contemporaries on the “demonistic” function of rhetoric and whether she personally preferred the “plain style” touted by her peers. However, scholars’ discussion on Cavendish’s use of rhetoric has been limited to analysis of her stylistic structures, neglecting her use of rhetorical structure, or her methods of argument creation and arrangement. The question of Cavendish’s approach to rhetoric is incomplete when simply considering how she presents herself stylistically—it’s also important to examine how she advocates rhetoric persuasively.
A useful lens for exploring Cavendish’s rhetorical structure comes from Farrel’s theory of “male and female modes of rhetoric” in composition studies. The concept of male and female are not strictly gendered terms, but rather refer to different persuasive methods used with different audiences. The male rhetorical mode is a “direct” approach that views writing as a product of thinking and seeks to convey the mode as directly as possible. The female “indirect” mode begins with the assumption of a hostile reader, and uses more indirect reasoning, delaying a direct thesis until the conclusion. Writing in the female mode is seen as a record of thinking and a process for strengthening bonds between author and reader. As Farrel describes, “The female mode seems to obfuscate the boundary between the self of the author and the subject of the discourse, as well as between the self and the audience, whereas the male mode tends to accentuate such boundaries” (910). In looking at Cavendish’s Blazing World, it’s interesting to see that her rhetorical structure closely mirrors this described “female mode”—especially in light of her anticipation of a hostile audience. The relationship of Cavendish to her audience is a key point for understanding her choice of rhetorical organization and structure. To understand that relationship, this project will first look at the scholarly conversation on Cavendish’s vacillation between rhetorical styles and how that was influenced by her relationship to the Royal Society. Finally this paper will analyze the rhetorical structure found in Blazing World to argue that Cavendish, facing a hostile audience and trapped between her own views “against a linguistic elitism” (Nate 410) and her staunch anti-Royal Society position, chose to find her own rhetorical structure, making her one of the earliest female authors to write in Farrell’s indirect “female mode” of rhetoric.
Royal Society’s Rejection of Rhetoric and Advocacy for Plain Style
As mentioned, Cavendish lived in the rebirth of plain style, in the wake of the ornamentation that had laden Queen Elizabeth’s era. Where Humanism embraced rhetorical flourishes as a linguistic ideal, after the Restoration, scientists argued for a plain style. Scholars such as Francis Bacon and Rene Descartes rejected “rhetorical logic” as it could only bring “probable knowledge” (Robbines-Tiscione 48), favoring observation instead as a more empirical source. The Royal Society, in particular, advocated this style of writing in their dialogue. Thomas Sprat, in his History of the Royal Society (1667) argued to avoid “amplifications, digressions, and swellings of style” in writing, as they create “many mists and uncertainties” in “our Knowledge” (112-13). On the one hand, this distrust of elaborate style is reflective of the era. Stark noted that the correlation between “swollen styles and bad manners” matches to the sixteenth and seventeenth century anxieties about “excessive styles and social discord” (268), and Nate describes the Royal Society’s attitude as the “rhetoric of anti-rhetoric” that has cyclically re-occurred in European intellectual history since Plato’s rhetorical criticism of the Sophists (406).
An additional reason for the Royal Society’s adherence to “plain style” was their need to find a new style of expression for what was essentially a new method of knowledge acquisition—scientific inquiry by experimentation and deduction, rather than reasoned dialogue. Previous methods of composition typically were written for beauty and instruction, where the nature of the wording itself often held key points. Early scientists like Francis Bacon found that these models were not supportive of the method needed for their work. When the members of the Royal Society spoke against rhetoric, they were not talking about dumbing down their language. They were referring specifically to the use of figurative language and expression, and advocating a renouncing of deliberately used rhetorical figures. It was felt that such manners of expression were deceptive and cloaked real truth from ready access. In reality, the Royal Society was not arguing for an elimination of rhetoric, but rather a return to classical rhetoric that argued for perspicuitas as opposed to obscuritas, where elegant language is acceptable, but only as used to augment clarity rather than obscure the truth behind elegant display—an age-old complaint against rhetoric. As she began her writing, Cavendish walked into an already passionate dialogue on rhetoric—especially in relation to the Royal Society, who she was particularly vocal in criticizing. As she worked to enter the conversations of the seventeenth century intellectual community, Cavendish found herself similarly embroiled in making that decision for herself: Rhetoric—plain or fancy?
Cavendish’s Stylistic Dichotomy
Part of the reason scholars are divided on so simplistic a question as Cavendish’s rhetorical style is because Cavendish’s own writings on the subject are perplexingly contradictory. On one hand, her preface to the second edition of Philosophical and Physical Opinions (1663) proudly remarks, “It is Plain and Vulgarly Express’d as having not so much Learning as to Puzle the Reader with Logistica, Metaphysica, Mathematical, or the like Terms.” On the other hand, her forward to the biography of her husband, Life of William Cavendish (1667), suggests she liked things a little fancier:
I said again that rhetoric did adorn truth: and he answered, that rhetoric was fitter for falsehoods than truths. Thus I was forced by his Grace’s commands to write this history in my own plain style, without elegant flourishings, or exquisite method, relying entirely upon truth, in the expressing whereof, I have been very circumspect.
The two passages illustrate different points of her opinion, displaying perhaps her own confusion on how she really felt about rhetoric. Cavendish’s writings themselves display no one writing style—varying between plain and highly ornate throughout her writing career. This dichotomy has led scholars to set up opposing camps on Cavendish’s choice of rhetorical style.
Some scholars argue that Cavendish deliberately embodies a fancier form of rhetoric, in rejection of the Royal Society’s rejection of rhetoric, insisting that this is part of what distances her from the peers she seeks to engage with, and concluding that “Cavendish’s stylistic “indiscretions” damaged her reputation as a writer” (Stark 279). In contrast, opposing scholars argue that while Cavendish’s writings reflect non-conformity towards New Sciences philosophical matters, she did in fact conform to their rhetorical preference. In fact, Cavendish uses their stylistic approaches specifically to enter the conversation (Nate 416-17)—after all, to speak against a language, it’s best to be first fluent in it. While disagreeing on whether Cavendish preferred a plain or ornate style, all scholars credit Cavendish’s choice of rhetoric as highly influenced by her intellectual peers and potentially hostile audience.
Using the “Female Mode” to Diffuse an Audience
            Farrell credits the origination of the terms “male and female modes” of rhetoric to D’Eloia, and uses them in a full analysis on early female forms of literature to trace out D’Eloia’s theory. As mentioned briefly before, the distinction is primarily one of argumentative arrangement. The male mode typically presents the thesis or main point at the beginning of the argument, with the confidence that he will prove it emphatically by the article’s conclusion. In contrast, the female mode reflects insecurity of absolute opinion. The writer will lead the reader through a series of experiences and/or line of reasoning, not giving the conclusion until it is almost impossible to deny the emotional or logical validity of the claim (909). Gender is not implicit with the “male” and “female” modes, for some male authors use the female method, and some female authors use the male mode. Farrell notes that Queen Elizabeth, for example, wrote often in the direct, male mode of her peers (911). However, Farrell points out that the female mode did develop in trend along with the rise in female authors, perhaps as a defense mechanism from early female writers accustomed to addressing an incredulous audience.
            From that argument, Cavendish certainly fits the profile of an author likely to use the female mode of writing. Cavendish was actively attempting to insert herself into a masculine public sphere, particularly through the discourse of new science, and her writings were not positively received. Pepys famously wrote that he did “not like her at all, nor did [he] hear her say anything that was worth hearing,” and Charleton wrote to Cavendish that he was “unable to discover much” in her natural philosophy and advised that it should not be read publicly (Keller 449). This antagonism on the part of her readers made a direct approach less effective for Cavendish, as she was challenged to soften her readers in addition to relaying her point. The rejection of her earlier, more direct plain style prose pushed her then to develop a more indirect method, as can be seen in her key fictional work Blazing Word.
Blazing World: Simple Prose in Female Mode
When Cavendish writes Blazing World, she does seem to follow a definite female mode, one that allows her to explore her world without the interrogative of male thesis/antithesis, but one of indirect examination through observation. This can be seen in three key ways: 1) delayed thesis, 2) focus on collaborative reconciliation, and 3) interior complexity.
One of the most interesting parts of Cavendish’s writing is the difference in content from her introduction and conclusion. While very implicit and confident in her concluding note, her preface is couched more timidly and apologetically, skirting around her main objective as she declares it in conclusion. Her purpose—to give her own, authoritative version of natural philosophy—drips into the text in the forward, but is not implicitly stated until the final note to the reader, where Cavendish unashamedly declares her own genius. Cavendish seems sensitive to this because of her audience, aware that she is writing her traditionally scoffed-at views on natural philosophy. Though Blazing World is a fiction piece, it seems to be another attempt for her to enter the natural philosophy conversation. She is sensitive that her fictitious work could be seen as an ill or foolish choice for a serious discussion on natural philosophy. Hence, the preface becomes her excusatory discourse on the concept of fancy and using fiction as a vehicle for rational philosophy. She seems to anticipate resistance, almost apologizing for her genre selection before presenting her piece, as if anticipating resistance. She asks the reader to “think not that it is out of disparagement to philosophy; or out of an opinion, as if this noble study were but a fiction of the mind” (123). In contrast, her conclusion boldly states, “By this poetical description, you may perceive, that my ambition is not only to be Empress, but Authoress of a whole world” (224), which is a much stronger statement. The contrast highlights the principle of a delayed thesis, which is a key distinguisher of the female mode of rhetoric, where any purpose that might be there is not expressed until after the argument is fully established.
Cavendish creates heroines who focus not on destruction, but on collaboration leading to reconciliation. Part of the reason the plot seems frustratingly empty to some readers, is precisely because Cavendish avoids major points of conflict, creating instead a world “so well ordered that it could not be mended; for it was governed without secret and deceiving policy; neither was there any ambition, factions, malicious detractions, civil dissensions, or home-bred quarrels…but all the people lived in a peaceful society, united tranquility, and religious conformity” (189). Even in her concluding “war scene” where the Empress goes to save her country, the course of the war takes only 13 pages of the roughly 100-page narrative; the majority of her dialogue and action focuses on reconciliation. The action itself struggles somewhat, which Farrell notes is a characteristic point of the female mode. He explains, “Because the female mode does not lend itself to combat and closure as readily as the male mode, it does not rely as heavily on antithesis to structure reasoning” (919). Cavendish is more interested in reasoning, exploring, and creating than in creating narrative tension and resolution.
To the concept of interior complexity, Nate argues that Blazing World as a work is a failure because it lacks the male antithesis of a concrete point of plot or reason, he contends “Lacking narrative coherence and being devoid of any fixed point of reference, the narrative stands in sharp contrast to the principle of perspicuity that Cavendish advocated in her philosophical writings” (415). However, the truth is that Blazing World does have a point, but rather than one with “interior complexity” of a single thesis, as Farrell describes the male rhetorical mode (919), Cavendish builds a complex, differentiated whole. Instead of building a world for the purpose of holding a particular narrative plot, she builds a world with the purpose of simply understanding the full range of its complexity and complications.
Conclusion
Despite claims that her works are “just my own fancy”, it’s clear that Cavendish takes her own writing seriously and craves that approval from others. In her writing career, she vacillates between various writing styles in attempt to enter dialogue with her contemporary intellectual community. When her earlier writings are rejected by her intellectual peers, she develops almost a nervous complex towards her audience. Her later writings show her preoccupation with a hostile reception, and, carrying the stigma that women can’t write, she seems to shift towards new methods of argumentation—espousing this “female mode of rhetoric” in her work Blazing World. Cavendish  takes the reader on a journey, without first naming a destination, and it is only after arrival that her true genius is obvious. She manages to blend plain and fancy prose in an elegant basket to carry her natural philosophy to the reader in a new, indirect argumentation structure.
That Cavendish uses a unique approach—still decades prior to its adoption in mainstream composition studies—isn’t surprising. Cavendish famously prided herself on her singularity, shown in her every dress and action, even when at personal expense to her reputation. In her writings, she admits constantly craving feeling unique. As she expressed in Blazing World through her character the Duchess, “I endeavor to be as singular as I can; for it argues but a mean nature to imitate others; and though I do not love to be imitated if I can possibly avoid it; yet rather than imitate others, I should choose to be imitated by others; for my nature is such, that I had rather appear worse in singularity, then better in the mode” (218).


Works Cited
Cavendish, Margaret. The Blazing World & Other Writings. Ed. Kate Lilley. London:
Penguin Books, 1992. Print.
_____   Life of William Cavendish, Ed. C.H.Firth. New York: E. P. Dutton, 1906. Print.
Farrell, Thomas J. “The Female and Male Modes of Rhetoric.” College English 49.8
(1979): 909-21. Print.
Keller, Eve. “Producing Petty Gods: Margaret Cavendish’s Critique of Experimental
Science.” ELH 64.2 (1997): 447-471. Print.
Nate, Richard. “Plain and Vulgarly Express’d”: Margaret Cavendish and the Discourse of
the New Science.” Rhetorica: A Journal of the History of Rhetoric 19.4 (2001):
403-417. Print.
Robbins-Tiscione, Kristen Konrad. Rhetoric for Legal Writers: The Theory and Practice
of Analysis and Persuasion. Washington: WEST, 2009. Print.
Sprat, Thomas. History of the Royal Society of London. Ed. Jackson Cope and Harold
Whitmore Jones. St. Louis: Washington UP, 1958. Print.
Stark, Ryan John. “Margaret Cavendish and Composition Style. Rhetoric Review 17.2
(1999): 264-81. Print.



Thursday, July 7, 2011

The Tale of Serenity Gardner

(Another short story written for a snarky professor, except, minus the ending, I really liked this one.)

Short Story                                                                                                                4,450 Words

Why Is my Name Serenity? (Working Title)

On the Wednesday morning of June 7th at the sticky, messy table of a pristine little house in a suburb of Virginia I, Serenity Gardner, learned what most other 11 year olds have already known for a million years: burnt eggs and toast taste disgusting. I didn’t know that before, because my nose has never worked. And because my nose does not work, I do not have a very refined sense of palate. This isn’t always a bad thing, because when you are the littlest girl in a house of 5 big brothers with J’s for names, you usually only get the burnt parts anyway. The problem is I had a surgery two days ago to fix my nose. Now I mind getting the burnt parts, because I realize they taste disgusting.

Unfortunately, there is nothing else left on the table. Except for a sticky jar of boysenberry jam with a paper airplane stuck to the side and a plate with melted, crumbed-up butter. The other paper airplane is soaking up a pile of cranberry juice on the far end of the table. Obviously Joshua and Jordan were having another war. I scrape my black toast with the crummy butter, watching the knife spread a thick layer of perfectly toasted golden crumbs from the butter dish and hoping they will make mine taste better. They don’t.

“Serenity, are you still eating breakfast? We need to go – they boys are late.” Mom is a thin woman with a thin mouth and a thin temper. Sometimes the mouth is smiling, but usually not at me. I usually get the up-side-down smiles that I have to pretend are smiles.

“I tried eating but the food is indigestible.” I was really not complaining, just stating my status.
Unfortunately, Mom didn’t seem to think so. I get another up-side-down smile.

“Perhaps you should try getting downstairs on time once in a while instead of playing in your room. Hurry into the car unless you would like to stay and do dishes.”

My mother called me Serenity because she said she wanted a calm, peaceful girl after all her boys. She didn’t do a very good job naming me, which I think disappoints her. I am not very calm or serene. I do try sometimes. I will try to sit very, very still in the patch of sunlight in front of my window, like Mom and her friends do every Wednesday and Friday morning at seven, legs crossed in color-coordinated sweat suits on colored yoga mats, copying a big black man on a yoga DVD. They all sweat and smile and look serene.

The man on the DVD has a deep, throaty voice that sounds like someone with a cold. He says to think about nothing. The problem is as soon as I try to think of nothing, everything starts wanting to be thought about. Then my nose will start itching. And as soon as I scratch it my back will start itching. The whole sitting still turns into one long itching and I give it up. I am not made to be serene, even though I am very sorry about that.

“Serenity! Hurry please. Your father has the other car and I need to get all your brothers dropped off.” My mother is a politician’s wife, so her voice never rises to a shout. But it will rise in pitch through different warning levels, and when it gets to a certain pitch, that’s like as bad as when my best friend Cassidy’s Mom starts yelling out full names at his house. Jeffery, who is a science nerd and who is very smart, drew a chart once in his notebook for the different levels of Mom’s voice. He said it would help us remember when to beware of Mom. I think her level now is about at a 4.5 on a scale of 6.

“Coming!” I look sadly at my toast and leave the table, my stomach still hungry.

Dropping off my brothers takes a long time. It’s Saturday in the summer time, so every one of them has somewhere else to be, and they’re all stressed out about not being there on time. Or rather, Mom is stressed for them.

We sit in the van in exact age order. Kind of like the Christmas cards Mom sends out every year. A perfect row of perfect boys, framed with Dad’s beaming grin and Mom’s thin smile. Names and ages thread the bottom corner of the card, weaving around a pair of reindeer: James (19), Jeffery (17), Joshua & Jordan (15), Jonathon (13), and Serenity (11). I’m in the corner, kind of not touching everyone else, with awkward teeth and limp hair that wouldn’t hold the curls Mom put in. The photographer thought that I would look more centered in the front, but Mom wanted it in order. Mom likes having things ordered, from her ordered abs to her ordered eyebrows; she spends a lot of time keeping order. My brothers say she is OCD, but I don’t know what that means and I don’t want to look stupid asking. I hope it’s not a disease or catching or, as Jonathon said something is called that goes from a parent to a child, hereditarian.

“James, please. Do not get hair gel on the dashboard.” Mom says in exasperation as her perfect nails dial the radio for a classical station. Jordan had switched all her presets to rap and alternative again.

“Yeah, you might want to do your eyebrows.” Josh advised, “It looks like a few hairs are unmolested.” Josh and Jordan snigger together and throw volleyballs at each other over the seat. Mom kind of sighs and presses her head, like she’s trying to hold it in one place.

James is pretty good at ignoring the twins, better than most people are. He just adjusts the passenger mirror to check the final effect before shoving his stuff back in his pocket. Again. He’s been doing that ever since he got a girlfriend. James is actually in college, but he doesn’t want to move out yet because he says it’s not convenient. Dad says it had better become convenient pretty soon because he doesn’t feel like paying for James and his endless supply of hair gel now that James is past being an adult.

Because we have so many kids, Mom needs a way to order us.  Most of us know her speech by heart. “Well there’s James, he’s our international diplomat. He wants to go into politics.” Sometimes I don’t think James has a choice about being the next president, because if he doesn’t want it bad enough, Mom does.

“Then there is our biologist, Jeffery.” I read a newspaper article on Jeffery once about how he invented a cure for some fly disease. The paper neglected to mention that Jeffery caught and used about ten bajillion flies and left all the dead ones in neat stacks under my pillow, in my hamper, or in my toothbrush. Although, Jordan and Josh may have helped more than a little with that. These days Jeffrey mostly ignores me, but he isn’t mean to me, so I guess that’s okay.

“And then there are our sports stars, Josh and Jordan.” J squared, as they like to call themselves, specialize in being mean to me, kicking balls, and kissing girls. And they are good at all three. Jonathon likes books and doing what Josh and Jordan do. Except he’s not good at kicking balls or kissing girls.

“And there is Jonathon, our literary scholar.” I know Jonathon writes all kinds of smart stuff, but he says a lot of dumb stuff, so I don’t know how those work.

“And then there is Serenity, my angel.” That’s sort of a cop-out answer, since I don’t think I’m very angelic, but she doesn’t have any other category for me yet. She keeps trying.

In that Christmas card Mom got this awesome idea that each of us should hold something that showed our talent. James has a globe of the world. Jeffery has a microscope and a set of chemicals. Josh and Jordan wanted to hold swimsuit magazines, but Mom made them use soccer balls instead. Jonathon was easy too, a set of “classic literature” that made him look smart. (He even lied to the eye doctor to get glasses). The problem is, I don’t have a talent.

Mom tries. She says it’s important for us all to be proud of something. The year of the six (that is how Mr. Wallace says I should call them) she put me in dance, but the teacher said I looked like a duck. Year of the eight she started me in gardening and sewing, but my marigold was the only one to die (even though Josh didn’t even water his) and I kept getting blood on the stupid duck pillow.

Year of the nine I started violin, but Dad said his ears couldn’t take it and my fingers kept hurting. Last year we tried gymnastics, but Mom got tired of taking me to the ER (even though the casts were kind of cool), because my bones sort of break easy. Then it was baking classes, but Josh still talks about the cake I tried to cook double fast by turning the oven on 500. I don’t like being laughed at. The top was charcoal and hard, but batter oozed out of Jeffery’s spatula gash in the middle.

This year Mom tried art stuff. I still think my painting looked sort of like a tree, but Jordan insists it’s more like a monkey scratching fleas, and my bust of Dad makes him look pregnant. Therefore, I, Serenity Gardner, am still in search of a talent, and mom just tells people I’m her angel, since she doesn’t have anything else to say.

She finally had me hold a lotus, which she said was the Chinese flower of serenity, old and wise. Even the photographer thought it looked weird, though she didn’t say so. But11-year olds with crooky teeth and flat curls look weird with old, wise flowers. Oh well. Pictures don’t especially look like what people look like anyway. We all look happy to be together in the picture, but Jordan is pinching Josh and Dad threatened to take away Jonathon’s allowance if he didn’t smile.

“Mom? We’re supposed to turn left here. You’re going the wrong way.” Jeffery called out.

“No, I am dropping James off at class first. He will be late if I drop you off first.”  

“But if I don’t get to the parking lot by 9 the service committee might leave without me.”

“You didn’t tell me that, I thought you were planting flowers there.” Mom’s frazzled face peeps from her mouth and eye corners before smoothing.

“Naw, we’re going to some jail or something.”

“Well, it looks like you’ll be a few minutes late. Is there anyone you can call?”

“No. I don’t have anyone’s number.”

“I wrote it down on the board at home.”

“Well I don’t exactly carry it around with me.”

“But that’s not fair,” Josh piped in, “Our game starts in 20 minutes. We won’t even get there on time if we’re dropped off third.” Mom’s scale is approaching 5.5.

“You told me your game starts at ten.”

“Well yeah,” Jordan said, “But warm-ups start at 9:15, and if we aren’t there for that we might not be allowed to play.” I leaned into the corner. I was still hungry.

It takes three hours to get everyone to where they are supposed to go. James ends up late to Economics and slams the door with his textbook, scowling, with his hair coming un-gelled (which he glared at me for pointing out).

Jonathon missed his chance to get a front row at the symposium, or something, I didn’t really know what he was talking about. Jeffery was sulking because he didn’t want to be at a service project planting flowers anyway.

After a panic to get Jordan and Josh to the game on time, which made Jonathan late, their soccer game was canceled, which the clipboard lady said they would have known if they had given Mom the pink schedule they brought home last week.

Mom is mad she missed her yoga class. But Jordan says that it doesn’t matter anyway because yoga is just dumb to start with, which was not a very wise thing to say, because that probably pushed her up to a 5.8. When the red minivan finally gets back, everyone is upset, except me, who am just very, very hungry.

I don’t think it’s very fair to me to be driving around all day and not even be going anywhere. I mention this, and it doesn’t go over very well. Mom turns and glares at all of us, and her thin temper gets thinner. “I am going upstairs and I am going to take a nap and if I hear one word or sound that wakes me up, so help me.”

Mom never says what the so help me is, and so far, no one has dared to ask. I think Jeffrey did once, but Dad was standing there and he quickly took Jeffrey out back to explain in a no uncertain man to man what “so help me” meant, and that’s been her last straw thing ever since.

***

“Hey Renny!” Josh’s basketball bounced into my too-pink and perfect bedroom before his long legs. “Want to come to Kroger’s with me?”

“What for?”

“Oh just because. I think Mom needs some detergent.” Which means he doesn’t want to tell me until we leave. Which probably means he is scouting for girls.

“Will you buy me ice cream too?” Mom was so mad that she didn’t make lunch when we got home, and we aren’t allowed in the kitchen outside of meals. My stomach is committing cannibalism.

The basketball bounced. “You aren’t allowed. And who said we’re going to get ice cream?”

“I’m not stupid.”

“Okay, fine, but not a word to Mom.”

Usually my older brothers don’t notice I exist, but each one has an exception. Josh and Jordan will take me as girl bait, because I am littler than most 11 year olds and they say that chicks dig the family man. Jordan told me he would pay me not to get any bigger or stronger, because more pathetic looking sisters get more girls over.

I am usually sick. Not always, but pretty often. Which I sort of hate, because the 58 ceiling tiles over my bed are really boring and Mom won’t let me paint them. I don’t even go to regular school. Ms. Dalena, my formerly favorite teacher who would wear red boots to school when it rained, told Mom that since I seemed to be home more than at school, perhaps it would be better for me to not go to school at all. Sometimes I wonder if she just didn’t like me.

That is why grumpy Mr. Wallace, with an uneven gray mustache that’s thicker on one side and whiter on the other, comes in on Mondays, Wednesdays, and Fridays to talk a lot and make sure I’ve done my homework. He’s supposed to be my tutor, but I don’t think he knows very much. I asked him once how come people on the equator didn’t get dizzy from it spinning faster than at the poles, and he just glared at me and said it wasn’t a relevant question. He says that a lot.

When I was in the bathroom and therefore invisible, I heard Mom explain to Mr. Wallace that I am delicate. But I am not sure what that means. I looked it up in the Miriam Webster that sits on Dad’s desk in the middle of bunches of his titles and degrees, which I see more than I see Dad, but it wasn’t very helpful because it can’t make up its mind. It says it can mean someone who is fastidious, someone who has fine discrimination, someone who is fragile, or someone who is marked by great precision. I know fragile means easily broken, but I don’t think dictionaries are actually very helpful at understanding things.

I asked Jonathon, since he is mostly a dictionary himself and might know better, but unfortunately Joshua and Jordan were listening, and Jonathon is always meaner when the twins are around, so he told me it either meant I was a spoiled twit or I was as easily separate-able as a hydrogen bond. And I didn’t know what that meant either, so it still wasn’t very helpful.

When we get to Kroger, Josh reminds me again that I am not allowed, which is partly because he cares and mostly so I will be grateful, and buys me an orange ice cream cone with mint sprinkles on it. Which he calls repulsive and which I call delicious. The high school kid with the white coat looks bored and pulls a dirty scoop out of the rocky road to use, which makes the orange look dirty.

Josh and Jordan get malts so they can lean back on the counter, texting each other so they look important, and sip and look hip, pressing their Tommy Hilfigers and white t-shirts into the counter. “Got to be hip to get hip,” they explained to Jonathon once. 

A short blonde girl with leggings and a short skirt that hugs skinny hips comes in, laughing with her friend who is wearing sharpied jeans, logo necklaces, and All Star converse. Josh smiles at me affectionately and ruffles my hair.

I glare at him. “That is my head.”

“And that’s my money that just bought you ice cream.” A deal was a deal. I smile sweetly at him, and stuck a spoonful in my mouth. It makes my throat taste creamy.

The reason I never get ice cream is because it’s on the long list of “Serenity No Nos” Mom has pasted to the fridge. And I, Serenity Gardner, usually try to follow it, which is mostly easy because I only ever eat at home or if Mom is ordering food. But it’s a very, very long list. Mom always says I will go into apoplectic shock if I eat anything on it, but so far I have eaten a lot of things on it by accident, and on purpose, and I have not yet had any apoplectics. Jonathon told me this is just an OCD thing and she always has a list for the youngest child.  

Josh glances at the girls. He does the flip hair thing and the eye contact thing, and the girls give him the once over thing, smile at me, and then walk to the gum section so they can not-watch the boys over the magazine rack.

Josh and Jordan tried to explain this to Jonathon, but I don’t think he ever got it: “Dude, it’s all about the body language man. It’s got to talk louder than your mouth.”

Body language is not something Jonathon understands very well. He mostly sticks to an awful lot of people and dictionary language. Languages, according to Mr. Wallace, are how two people communicate together. And if it doesn’t make sense, you don’t know the language. I guess we have a lot of language at home. Mom speaks French. James and Dad talk in politic. J squared talk in bodies. Jeffery talks in chemicals. I guess I just speak Serenity, but I don’t think other people speak it very much.

My throat is starting to feel very not creamy. The girls are taking a long time, so Jordan gets out a sharpie and starts doodling on his jeans. The girls start to wander back over. Josh affectionately leans over and whispers in my ear, “You’re a dork, you know that,” and smiles at his favorite little sister.

My neck is starting to get tighter, but I smile adorably at him. I know my job. Jordan sharpies on his jean again. It works.

The blond, skinny hipped one smiles at me. “How old is your little sister? She’s so cute.”

Josh leans back and smiles. “Ha ha, you know, she just wanted some ice cream.” Which wasn’t what she asked, but I don’t think she noticed, because she smiles and giggles like her nose is stuck.

“So, aren’t you famous or something?” Jordan asked the other one. All Stars shifted her feet and flipped her hair.

“Maybe, why?”

“Well, you have so many autographs, mind if I add one?” He gestures at her jeans. She laughs and he leans over to trace his name and number onto her leg, taking a long time.

“So, you got a name, or shall I call you sunshine?” Josh asks the blonde girl.

She gives stuffed giggle. “Bonnie, but you can call me sunshine, if you really want.” She pulls out her sparkly cellphone and starts flipping it open and closed. Josh says something again, something with “Ha ha,” and she giggles again. They sound really dumb.

My nose is itching together and my breath feels funny. My heart is bouncing too, up and down and back and forth. I tug on Jordan’s sleeve, but he is making a curly heart onto the girl’s jeans, and she is giggling, so he ignores me. I try Josh, but he leans backwards and stomps on my foot.

“Yeah, I live around here, somewhere.” Bonnie starts texting someone, but she’s doing it all fakey, like Josh does when he is trying to look busy.

Josh leans back, “So what, do I have to guess what fair kingdom doth send you here?”

Once Jeffery tried to make me swallow a cotton ball, and it got stuck in my throat. Mom was really mad at him, but he said he was trying to prove that girls have bigger mouths than guys do. It left fuzzy pieces in my throat for a long time. It sort of feels like that now. I try to say something but nothing is coming out. And my air is starting to not to past either.

I tug on Jordan again and All Stars looks at me. “Oh my gosh! Dude, your sister is like one big blister. Her skin is all bad. Is she breathing?”

My cone is in my lap, because my fingers stopped bending. Orange and brown are pouring down my hopping knee, which I can’t get to hold still, with mint pieces sticking to my leg.

“Oh crap.” Jordan moans and grabs the ice cream. “Josh, you didn’t get her anything with peanuts did you?”

“No – it was orange.”

“Then why is there brown in her cone? Renny, Renny, are you there? Crap, Jordan, do we have to call Mom? She’s really pissed right now and she’ll kill us.”

Of course I’m here. I haven’t left. But I can’t move anything, and my throat doesn’t have much room for air anymore, and it’s getting hard to see. And I really hope they don’t call Mom.

“Oh my gosh! We are watching her die! Do something!” Bonnie is screaming. Josh starts yelling.

I don’t remember the next few minutes very much. Bonnie screams a few times. And All Stars is poking my mouth open. 

“Dude, get your sister to the hospital, she’s gonna die.” Am I? I sort of thought dying would be creamier than this. Aren’t you supposed to see white lights or something? All I hear is fuzzy, like Jonathon’s cotton balls were in my ears now.

***

I open my eyes and sneeze. It smells funny and the light is too bright, which doesn’t make sense. Then I see the machine over my head and sigh. A hospital. Again. Mom is sitting in a black folding chair next to me, rubbing her wrists raw against the rail on the bed. Her right hand cups her chin as she stares out the window, the other chips at the nail polish on her left fingers, flecks of pink falling on the blue sheet. I wonder how much trouble I am in.  

When I sneeze, she turns and glares puffy eyes at me, like they look like in the spring time when she spends too long touching grass. Her voice is perfectly smooth and quiet, but all tense and packed of things that say I’m in trouble. “Why Serenity, why? You knew better. I have told you again and again not to eat things on your list. Why didn’t you listen?” Mom’s perfect face, which usually I only see even crease, has completely cracked. Her pupils are big and pointed and her breath is kind of coming in gasps.

I don’t know what to say and my tongue is sticking to my mouth, so I shrug. Her face gets looser, “Do you want some water?”

I nod and she hands me a paper cup of ice cubes. There isn’t much water in it, so I put one in my mouth. Which makes me realize that the inside of my cheeks taste gross, like rotten oranges. Outside the door in the hallway I can see Josh and Jared, seated on either side of a red haired girl in the hospital suit. Jared pushes a pretzel bag at her, and she takes one, laughing. I wonder where Bonnie and All Star went. 

The tapping started again on my bed. Mom is staring out the window again. I count three minutes. She doesn’t say anything.

“Mom, I don’t think my name should be Serenity. Can I change it?” That will probably get me in trouble, and I wish I hadn’t said it.

Her fingers stop drumming. “Why?”

“I don’t know, but I’m not very good at it.”

She makes a funny sound, a choked one. I look up, wondering if I made her mad. She’s bent over shaking and making snorting sounds. Is she laughing? Mom doesn’t laugh, so I don’t know what that means.

I tap my toes to count the seconds. I count 48 of them before she looks up again. She’s smiling, a real one that crinkles her eyes. My face is sticky with sweat and I think puke, but she kisses each cheek with her minty breath and touches my hand.

“Serenity, your name is perfect. I don't have to tell you why.” I don’t know what that means, but she’s smiling at me with her whole face. I don’t remember her ever doing that before. I smile back. And just for a second, I feel like serenity.

The Tale of Jasper Bean and his Revenge on Bolivar Shurgnasty

(Pure random - written slightly tongue-in-cheek to a slightly snarky professor based on the conglomeration of ideas from calling home for five minutes.)

Bolivar Shurgnasty smiled cheerfully and threw open the doors of Bolivar Restorante: Eat Fresh! “What a lovely day!” He exclaimed buoyantly as he enthusiastically sucked in the 12-degree air into his quivering lungs and happily juggled knives in the air. “Isn’t it excellent Jasper?”

“Oh yes, indeed,” I said sarcastically with a polite smile, “The best in the world sir!” for a moron anyway. I am from Arizona and do not appreciate New York’s frigid air. It’s absurdly useful. It makes the fat New Yorkers hungry and they come and stuff their faces with pasta and other good stuff. Business is always worse in the summer time when it’s too hot to eat anything. Maybe that’s why Arizona always had such crappy restaurants.

My name is Jasper Bean. This is my story. I am a mistreated, misrepresented, miserable line chef suffering under Bolivar’s regime in one of the most famous Italian restaurants in New York City. I am brilliant, smart, audacious, and at some point going to take New York City by a storm with my own restaurant. Bolivar is one of the most irritating men I have ever met. 45. Bald. Ugly. Single. Deathly allergic to basil. Seemingly daft as a post. And somehow he manages to invent the most delicious recipes I have ever tasted, all without basil. No basil? How are they even Italian? I’m pretty convinced that if I can get a hold of his blasted recipes and add some basil, they will be perfect. Maybe even open a more famous restaurant.

Bolivar deftly caught the five knives in perfect succession and turned to his kitchen with a smile. “We have a lot to do today boys! Let’s have at it. Fire up the ovens. Sweep the must from the air! Let’s fill this kitchen with savory and real Italiano, no? Clarence, start the bread. Bordeaux, the sausage and sauce prep. And Jasper, my fine friend, we need 50 pounds of onions.”

I smiled with carefully poised enthusiasm. “Whatever you say Bolivar! Onions are my favorite!” It’s not like I don’t have anything else important to do anyway. I of course would love to cry my eyes out cutting up your smelly onions. I would love to rot another 20 years at the bottom of the totem poll in this joint. It really, really isn’t fair you know. One of life’s injustices
I am much better at business than Bolivar could ever dream of being. It was my idea to hire a decent designer to re-do the previously crappy decor in the front. Who gets the credit? Bolivar. It’s Bolivar this, Bolivar that. Whatever. Life is full of injustices. It’s like one the kid on the playground with the red hair and ugly green shirt gets picked first for basketball just because he’s taller. It’s not the like freckled kid with glasses could do anything about his height. Not that that has ever happened to me, because it hasn’t. And don’t think that it has.

This whole place is really run down anyway. It’s kind of a fire hazard. The walls are rotten and crumbling and the old, huge brick oven sends sparks everywhere. The health inspectors actually came around last time and I’m pretty sure they would have failed the place, except Bolivar was charming and gave them free éclairs.

“Brigitte!” Jasper bellowed cheerfully, clapping his hands together over an apron that his belly threatened to burst through, “First customers!” Ah, Brigitte. I turned from my miserable chopping corner to wipe my onion-streaming eyes and steal a peek at her as she brushed into the room. I never was sure what to think of her. Some days she was an elegant brunette with a creamy complexion and a whispering smile. Some days she was a gangly blonde with red brushed, sallow cheeks and a sickly grimace to pass for a smile. Some days she was a red head with pinked and plumped lips in an elegant sneer. Brigitte, you see, is an out-of-work actress. She has been out of work for longer than she has been in work, actually. I think her last “gig” as she calls it was as a youth eating a plate of spaghetti and grinning up at the camera for an Olive Garden commercial when she was 12. Maybe that was why she worked for Bolivar now, hoping the Italian would rub off. Just another dreamer not born in New York City but living in New York City who will die in New York City with faded New York City dreams glamour stamped feebly in worry and work creases across the face.

“Why Brigitte! Your new hair is lovely!” Bolivar beamed as she swept in. A shy flush colored her cheeks and she patted her newly blackened hair. Actually, her hair looked kind of like someone had dumped it in a coal bin. Red streaks hemmed the bottom of her smooth bun and dirty blonde peeped from the crown of her head; nothing knew what it should be.

“Two orders of Omellette di Gamberetti, three Crepes Suzette, and one Frittata Vegitariana.” She reeled off. The vegetarian dishes always made me sick.

 “Ah excellent, Beatrice, be sure to put out fresh bread on their table while they are waiting,” Bolivar enthused as he cracked eggs into a bowl.

I really don’t like Brigitte. She is one of those annoying people who crawls into your mind and doesn’t leave. I can be doing something perfectly innocent, like watching Bolivar drink his morning coffee from the tree outside his window, or ransacking the pantry for that hidden recipe box, or even just going to sleep—she keeps popping into my mind. I really wish she would not do that, as I don’t think it’s very nice of her. “Nice color Brigitte. It really brings out the color of your eyelashes and makes your nose look nice and prominent.”

Now I am never anything but nice to her. I mean, those were legitimate compliments. But somehow, Brigitte has an unearned scowl she reserves just for me.  “Why thank you, Jasper.  It’s so nice of you to spread tears of appreciation on my behalf.”

I flush angrily and turn back to my onions, chopping them so vigorously that Bolivar frowns in my direction, “Remember Jasper, treat them gently; every ingredient is a treasure, that is what makes the dish.”

“Oh yes sir, I’m sorry. I will be more careful.” I apply the knife with perfect precision, slicing through each layer. I will find the heart of each one. Brigitte. Dumb, snobby Brigitte. What does she have to feel so special about? She doesn’t really matter anyway.

Once I used to know this freckle-faced loser, not me, who used to obsess over this girl with blonde braids and red hair ribbons in 4th grade. That all ended one day at the playground, when she called him a loser and a creep and told him to stop following her. Which he wasn’t really; I mean, sure, he liked her well enough so he would watch her every now and again and maybe he knew that she always ate Raisin Bran for breakfast, had a picture of Orlando Bloom in her pencil box in her desk, and always drew her Q’s with curly ends, but any boy who likes a girl knows that. It wasn’t creepy at all. And it certainly wasn’t me. 

The day takes on its usual hum; overworked, understaffed, but every dish gets out on time, Bolivar personally checking every one before it leaves the counter. They say that’s his legacy, never ever releasing an imperfect dish from his kitchen. Watching his round belly swing back and forth between counter and stovetop, mixing, tasting—I think his real legacy will be dying of hyper-exertion.

Jasper! We are behind. I know you are still learning here, but could take over the Calamari? Just watch it and tell me when it needs to be turned. I need to mix the vinaigrette.”

“Of course Bolivar, whatever you need!” Still learning my old grape nuts. I am good; I am really, really good. But that doesn’t ever seem to be enough for Bolivar. Not at all. He won’t even give let anyone mix his dressings, not even Bordeaux who has been here for forever. Every recipe is written down though; he says one day he will marry, have a fat little boy, and pass on his secrets. I don’t think that will really happen, since it would involve getting married and good luck in that department. It’s hard to do that when you never even leave the restaurant.

Bolivar doesn’t even have them memorized. He opens his locked box and reads the recipe every time he’s going to make something. I always wonder if he even came by them honestly in the first place, if he can’t even remember them.

I grab onion number 29 and begin peeling. I have no idea how in the world this restaurant goes through so many. Maybe Brigitte takes them home at night for part of her beauty routine. Brigitte again. Jumping into my mind. Why is she so annoying? And why does she have such a simpering smile? And why in the world does she keep trying to snub me? I am unsnubbable. People who can be snubbed are weak. Once I knew this dumb freckled kid who used to get really upset when people laughed at him for not remembering things. They ignored him. So he ignored them. I don’t think it helped anything.

Jasper, more gently, more gently!”

More gently – that’s what the mother of this dumb freckled kid I used to know would say when he was roughing it too much in the yard or coming inside. I was always glad that kid wasn’t me. I mean, his house was a tomb. It was perfectly quiet with perfect windows and perfect doors and not a scrap of dirt touching anything. Perfect, yes. Whatever.

I came to New York City not to sit here like any other dreamer. I am good. I am the best chef you have ever seen. I’m just stuck here. I don’t know how Bolivar managed to get it so good. Let me tell you about him. 

Bolivar leads a charmed life. I know, because I’ve been watching him. He lives in a tiny apartment over the Restorante, but he swears he doesn’t want anything better. You can see right into it from the rooftop of the next place over. He gets up every morning at 4am. He stretches exactly four times, gets out of bed, brushes his teeth, feeds his little dog, and goes down to the kitchen to start the ovens. He drinks one cup of coffee with 3 lumps of sugar and exactly one half a cream. Then he sits and smiles for no particular reason while staring off into space for 15 minutes. Then, he walks into the bathroom and closes the door. He is usually there for ten minutes. Would that we all had such perfect bladders. He comes out and goes back into the kitchen. He opens up his magic box with a key and pulls out all his recipes, picks the ones he will use that day, and pours over them for an hour, making notes and annotations on all of them.

It’s that darned key I can’t figure out. His recipe box isn’t that well hidden. I mean, really, who keeps a sugar box behind tomato sauce on the top shelf of the pantry? Obvious. But that key…. he never has it in the morning, but he always has it when he goes downstairs to his box. I know he doesn’t have it in any of his pockets or around his neck while he’s sleeping. Either it’s in his bathroom or somewhere on the stairway in between. I don’t know which. All I know is he has it.

At 5:15 he gets down his knives and starts juggling them. Why? I really have no idea and since it has nothing to do with his recipes, I really don’t care. At 5:30, we all come in. After that it’s rush rush until about 3pm. Then Bolivar takes his charity walks. He goes to all these nasty houses and gives out the leftover bread from breakfast, piously proclaiming, “A fine day deserves a fine deed.” It’s a pretty good idea; everyone thinks he’s a charmer and he gives good rapport for his business. Plus, we don’t have to throw out the old bread. 5pm sharp we are slaving away again. Brigitte unlocks the door for a line of diners at 5:45 precisely. Rush rush until 10pm when the last dish is washed and we are all sent home.

“Hey Jasper, what do you think?” A beaming Bolivar shoves a spoon at me. I taste. This is the part that gets me every time. I close my eyes and savor; the vinaigrette spills over my tongue, just tangy, just sweet, just perfect. I try to quickly taste the spices, but it doesn’t ever work for me. Some people have this magic catalogue they can use to taste something and say “Why of course, that is the cilantro, the marjoram, the thyme, and the parsley; excellent.” Somehow their taste buds slide the spices apart and taste them separately. Me? I just know what tastes good together. I can’t figure out how to do it. But that’s not my fault either; I was dropped when I was a baby.

“It’s perfect sir!” I enthuse. Bolivar smiles in satisfaction, “I knew it! It will change all our salads for the next week.” I nod vigorously. “Sir, it will be a hit. The sweet and sour level is perfect. A little bit of tarragon, no?” I saw him get that one off the shelf.

Jasper, you are a wonder! I am so pleased I hired you. You will be a chef extraordinaire.”

Maybe this would be a good in. “If I could be even half the chef of you, I would be so pleased.” A snort came from behind; I turned in time to see Brigitte hide a derisive scowl.

“What?” I asked with carefully constructed innocent curiosity, pretending not to feel the anger palpitating inside my ears.

“Oh nothing, Jasper. I am sure you will succeed at whatever you put your mind to. Bolivar, the couple on table 9 would like to personally meet you if possible. They love your food.”

“Oh of course!” Bolivar bustled out.

Brigitte glared at me as she snatched up 4 plates to carry out; she carried them with such precision in long, graceful arms… “I don’t know what you’re up to, but I know it isn’t good. And you should know that I am watching you.”

“I have no idea, dear Brigitte, what you could be talking about.”

“Yes you do. I’ve seen you sneaking around. You’re a creep. And you aren’t as nice as you act.”

My nice bone bent inside and the words were out before I could strap them down. “Oh yes, well, I suppose the one swarming in acting experience and expertise would be the expert on human character.” I bowed as she flushed, opened her mouth, and stomped away. Once the freckle-faced kid I knew learned that you could make people stop picking on them if you said mean things to them. He was right. I’m not that kid, but he was pretty smart. 

Onion 47. I think my eyes are going to fall out. I don’t have any tears left. “Jasper! When you finish the onions, I need more tomatoes chopped and a fresh salami from the back.”

“Right away Bolivar.” He’s in his element now. Shouting out order after order, and we his little minions must obey him.

“Bordeaux!” Bolivar called, “The basil has arrived. Could you put a sprig of it onto plates 1, 14, and 7 before they go out? And please keep it prepped on that side of the kitchen.” Did I mention Bolivar is deathly allergic to basil? Yeah, well, he is. One little sprig and his face will balloon up. More than that, his insides will balloon up. That’s why if something absolutely has to have basil, someone else puts it on. Once he got a cutting board that had had basil on it two days ago that someone hadn’t scrubbed closely enough (okay, okay, or maybe someone rubbed a little on the board; I sort of wondered how bad it would swell up), and he ended up in the hospital.

We closed up the whole restaurant and had a whole day off. That was an awesome day. I mean, it was sad and of course really to bad for Bolivar, but it was nice to have the day off. Brigitte and I went to a play. Okay – so maybe she went and I followed and got in and sat about 8 rows behind her, but it was pretty much the same thing. Except, I wonder if she knew I was there.

 “Jasper! I need more special sauce. Upstairs on my table in the kitchenette.” I quickly drop what I am doing and run upstairs. Bolivar often experiments with things in his apartment, so I am accustomed to run up there for ingredients. As I grab the jar I suddenly see it: the key. It’s right there on the back of the counter. Without thinking, I grab the key and stuff it in my pocket.

Jasper! I need the sauce”

“Coming!” I race my heart back downstairs, thumping louder than my feet. I thrust the sauce into Bolivar’s hand and rush back to my corner. Potatoes there now. I tear into the sack and begin peeling furiously, my mind racing, key burning in my pocket. Now what? If I have the key, I could get the recipes tonight, hop a train tomorrow. Or should I just copy them down and wait? Would that be too suspicious? I somehow hadn’t thought past the getting the key part.

Jasper! We need more cilantro chopped,” Bolivar yelled. “And we’re running out of dishes!” Brigitte added, “I need more silverware.”

Jasper! More sauce on skillet nine. And the calamari need to be watched again.” And you wonder why I’m going crazy. I once knew this little freckle-faced kid, not me, who had too many brothers and sisters. He was the middle child, and he was always getting yelled at to be the local slave. Clean the kitchen. Make dinner. Weed the garden. Scrub the floorboard. Wash Dad’s car. Yeah, he was nothing but a slave. I always knew I wouldn’t be like him.

We were in the element; rush hour was at its peak and Bolivar Shurgnasty was, once again, living up to his extravagant name with an extravagant array of dishes. Then it happened. It happened so fast I wasn’t sure how it even started. Clarence pulled open the oven door and pulled out a fresh mozzarella pizza. Then there was some kind of an explosion from the back of the oven and the whole place smelled like smoke. Flames were leaping up the sides of the wall, greedily gobbling the dry wood and grease-encrusted wallpaper.

Then there was yelling. And screaming. Everyone was running outside, except for Bolivar, who was trying to throw water on the walls. “Get the customers out!” He yelled. We tried, as fast as we could, to hustle everyone out. More screaming. Have you ever tried getting 70 people to exit a restaurant in an orderly process? It’s kind of like herding cats. (Which I have also tried before, and which doesn’t work out so well).

Once we were all outside I remembered, the recipes! The whole reason I had put up with Bolivar and his cheerful hell for all those months; I couldn’t let them burn. Suddenly Bolivar yelled, “Where is Brigitte?” Looking around, I realized she was missing too.

“I’ll get her!” I yelled and ran back before anyone could stop me. The kitchen was an inferno, the flames eerily silent as they ate what should have been for people. The searing heat removed any bit of moisture in my eyes the onions hadn’t drained.

“Brigitte!” I yelled, while trying to find my way through the flames to the pantry on the right where that box was. “Where are you?”

“I’m in here!” I heard a muffled voice from the far left side of the room. At the exact same moment the middle of the roof sounded ominously.

“I’m stuck! The shelf fell down and I can’t get my leg out.” I looked at the roof and had one of those epiphany moments that only happens in movies and fake stories where time seems to freeze while I think. If I went for the recipes, I probably couldn’t get Brigitte. If I went for Brigitte, bye bye recipes. I closed my eyes and heard that freckle faced kid again listening to his teacher berate him for supposedly plagiarizing a science project on neuromuscular diseases.  (How’s a kid to know that it was too advanced work for a 10-year-old and he should have borrowed from his high school brother instead of his college brother?) “You’ll never do anything great. You’ll never be anything great. You will always choose the easy way out.”

Brigitte screamed. But she hates me. Why should I save her? She might slap in my face. Or, she might cry and hug me, her hero. Her awesome hero who saved her life. The roof creaked. I could hear those recipes begin to crackle. It’s my life dream. What’s an Arizona-based line chef supposed to do? Left or right? I picked a direction, and plunged into the flames.

**************************************************************************


It’s been a number of months since I’ve said anything, so you’re probably wondering what happened to me. Well, what happened to Jasper Bean is a good question. I think he got left behind somewhere. Currently though, a Gerald Legumbre has opened up an Italian restaurant in Atlanta, Georgia, and he’s doing really, really well. People are so impressed with his recipes, although they often wonder that few of them include basil. I mean, honestly, that Gerald guy has got it made. His restaurant is making a killing.

As for the Restorante folks, I don’t know what happened to them all. I don’t know what happened to them all. Honestly. I haven’t cared enough to pay attention. I never did like any of them. Although, I think someone randomly mentioned the other day that someone named Brigitte Foster famously survived a tragic fire in a restaurant, which gave her a spot on national television. A famous actor in New York City fell in love with her pluck and beauty and married her. He probably deserved it.

And maybe I might have read in the papers that Bolivar died yesterday though, an overdose of basil. Somehow it got into something he was tasting, but they don’t know what, since it was after hours and no one could get in. They assume he just got careless. His famous hidden recipe box, recovered safely from the fire, was opened per his will, but all that was inside were scraps of paper with pictures doodled on them. They say he must have been too proud to write them after all. For who would ever want to harm Bolivar? Who indeed. I certainly don’t know. I haven’t bothered think about it. I wouldn’t even know about it if it hadn’t have been like big news or something, because I certainly wouldn’t have looked for his name. All I can tell you is that sometimes, sometimes, the dragon wins.